[For American Horror Story – Hotel “Room Service” or any other recaps on Fetchland, assume the presence of possible spoilers.]

FX Summary:

Room Service Alex uses an unconventional treatment to save a dying patient; a Halloween-hating couple tests Iris.

The “Room Service” episode revolves around the theme of that special situation when something shows up at our threshold that ordinarily wouldn’t in everyday life. It works in a literal, symbolic, and horrific sense throughout. Because it’s American Horror Story this theme starts out with a bloody, messy, pock-marked miracle.

Alex’s measles patient, Max, lies close to death thanks to his mother refusal to vaccinate him. So, Alex does what any solid pediatrician would and sucks down numerous blood bags in the hospital supply fridge before injecting her blood into his IV. Who’s gonna make the next list of top Los Angeles docs? This miracle worker, baby! The next morning Measles Max awakens a new boy, healed and ready to leave the hospital. When he gets home a little later, though Max bites his mommy’s neck to death and leaves her on the kitchen floor to board the yellow school bus in a pirate costume. Max then turns his school into child vampire academy. It starts when he kisses a girl, Maddie. Then he bites her and when she’s cranky about it he bites his own lip then kisses her again. Maddie quickly becomes a vampire in the closet where they kissed and then Max starts a whirlwind of stabbing teachers and turning kids into vampires. Soon the child vampire-filled school is on lockdown. None of the adults become vampires because Max stabs them or slits their throats – it’s just undead kids and blood everywhere. Then cops surround the school and start herding blood-soaked kids out. The cops ask Maddie what happened and she makes up a story on the spot about a man dressed all in black. Max smiles when he hears her and repeats her story for the cops and news media.

Meanwhile at Ramona’s mansion Donovan serves up his own brand of room service when he delivers the answer to all Ramona’s vampire prayers – Iris. He tells Ramona how Iris can help her because she’s just the Hotel Cortez insider she needs. Ramona’s then intrigued by Donovan’s reckless sex appeal and the fact that he’s delivering her the solution to her troubles makes the hottest man on the planet all the more attractive.

Iris goes back to the Cortez where Elizabeth Taylor right away serves up the antidote for the wretchedness of being newly vampire – blood in a martini glass. Iris moans to Elizabeth Taylor about being damned to eternity in her crappy body and even worse life. Ms. Taylor suggests Iris try some violet eyeshadow as she heads back to work at the reception desk. While back at work Iris greets a pretentious and patronizing couple -potential guests who like totally deserve a discount for being cool. These douchebag hipster guests then call Iris for room service and demand a variety of unavailable fancypants items including paté. So, Elizabeth Taylor helps Iris put cat food on a silver platter for them.

Then they have a chat about Ms. Taylor’s backstory. He’s from Topeka. Back in the 80s he was a traveling pharma sales rep and married, with a kid. While on the road he dresses in women’s clothes and drinks champagne by himself… until one fateful night when he stays at the Cortez and meets the The Countess. She tells him his blood smells like a woman’s and he was born to be a goddess. Thus, the makeover begins and The Countess transforms him into Elizabeth Taylor. When he’s too nervous to go out and be seen but she convinces him to get ice down the hall. Ms taylor’s in bliss, gliding down the hall until two of his coworkers see him and accuse him of having AIDS. He screams that he’s not gay and then the Countess saves the day. She kills the bigots for Elizabeth and tells him we all have two selves and we’ve got to embrace the shadow self. Although The Countess didn’t infect him, he did start living that day, Ms. Taylor explains to Iris. He tells Iris she can’t let people treat her terribly and she should start with the wretched hipsters. Iris takes them the room service and they berate her to a horrifying degree until she stabs them repeatedly all the while screaming that she matters. Iris and Elizabeth Taylor dispose of the hipster bodies and then Iris is finally starting to feel better. “I never really knew how to live until I died,” she says.

Meanwhile John Lowe’s boss confronts him about what happened at Devil’s Night. He says it must be a copycat blood cult with people pretending to be serial killers. They’ve got to get cadaver dogs, a warrant and forensics team into the Hotel Cortez right away! But his boss doesn’t feel quite the same urgency and instead says he’s questioning John’s sanity. In fact, John’s fired. Next thing John knows he wakes up at the Cortez next to Hypodermic Sally who he was apparently screwing like a madman all night. Sally tells him it’s their destiny to do this together so they’ll do it again and again and again because you can’t fight destiny. So John experienced a different and more delightful brand of room service at the Hotel Cortez that night… and instead of being grateful he’s just plain old horrified.

In the final scene Alex finally gets to hang with Holden, who recognizes that she’s just like him now. The Countess explains that Alex will now play the role of governess to all the children of the Cortez. Alex expresses concern that John will see her at the Hotel and wonder what’s up. The Countess says Alex would be surprised by the wondrous possibilities that can arise with a simple, ‘Hello.” Kind of like how you never know what delight an order of room service might bring into your life, especially at the Hotel Cortez.

–Katherine Recap

“Broken Thing/Toredig Pethau”

[For The Bastard Executioner‘s “Broken Thing/Toredig Pethau” or any other recaps on Fetchland, assume the presence of possible spoilers.]

FX Summary:
Broken Thing/Toredig Pethau Wilkin, Milus and Toran team up to hunt down a fugitive.

Love is in the air in Ventrishire in “Broken Thing/Toredig Pethau”!

We open on Wilkin (aka Gawain) in the Maddox apartments with his fake-wife Jessamy; Jessamy wants to make sure she “gave pleasure” when the pair “lay together” back in “Behold the Lamb/Gweled yr Oen” … All good!

Meanwhile, in the nicer part of the castle, Isabel sews a pillow for Love to wear around; after all, Love is meant to be two or three months pregnant with the dead Baron’s baby.

“Is there anything I should know about our punisher?” Isabel asks.

Love is in the air — and then all of Love’s furniture is in the air. She throws a bit of a fit at the suspicions* surrounding her bff’s question.

We soon learn that our old buddy Gaveston — you know, the flip French nobleman who so bedeviled Love back in “A Hunger/Newyn” and “Piss Profit/Proffidwyr Troeth” — is now on the outs with the King. A cohort of Barons is now on the lookout for the exiled Gaveston; not only that, but visiting Barons invite Love into a kind of conspiracy [against the King]. They offer Love quite a bit of cash to help them in their semi-conspiracy; she negotiates the right to negotiate with the Welsh insurgents (aka her brother) in exchange for bringing in Gaveston herself.

Love is in the air in the caves as well. Annora unfurls the mystery of the Seraphim to the visiting Father Ruskin. Allegedly the Seraphim are caretakers of nine scriptures written by Jesus himself “one testament, one author”. Ruskin says if this is true the foundation of all he believes is shattered… Also it somewhat explains the marauding Knights coming after Annora and the other Seraphim.

The “Knights of the Rosebud” are descendants of the very soldiers who whipped and tortured Jesus. They believe he rose, forgave them, and charged them to protect the story of Jesus as they understood it. The [true?] Seraphim account is obviously a huge threat to all that.

Father Ruskin tells Annora that he is not a scholar or a prophet; she tells him what they need is a warrior.

… And in come the Knights of the Rosebud.

Love may be in the air in “Broken Thing/Toredig Pethau” but so are Annora’s hanging snakes. Some of them come alive and kill a Knight. Then a triggered ceiling-blade. Then a firebomb. All-in-all several of the invading bad guys are poisoned / stabbed / immolated, giving Ruskin, Annora, and the Dark Mute leave to leave.

Ruskin makes it back to Castle Ventris and tells Wilkin where to find the caves-fled Annora. They hook up, and Wilkin receives another vision: This one of a drowning baby; seemingly saved by a nun and a sword-toting Knight (you know, maybe Annora and The Dark Mute… but maybe not). Probably — cryptically? — baby Wilkin.

For no reason at all our protagonists are beset by a swarm of angry nomads. Remember when some Ventris Knights clashed with nomads last episode? Well Toran and Wilkin — on foot — dispatch multiple mounted nomads, while The Dark Mute strangles one to death with his bare hands without drawing his sword.

A second wave of 6-9 mounted nomads ride on, and The Dark Mute volunteers to handle them all. It really looks like Sutter is going to kill off… Well… Sutter, but instead he dispatches everyone.

Not a scratch on any of the three!

“Bury them in the soft sand,” says The Dark Mute.
“I thought he was without tongue,” concludes Toran, understandably.

We know from Gaveston’s visit to Ventrishire that the beautiful twins are actually his half-sisters. Vampire Bill is aware that they know where Gaveston hides; and has the Reeve torture one to death to find out. The other gets physically and mentally violated.

Vampire Bill cautions Love about Gawain/Wilkin. Love has become “formidable” in the absence of the Baron, and doesn’t want her individual time with Gawain to unravel her heightened political position.

In the climactic scene of the episode, Wilkin meets Love in the castle tombs, where her family surrounds her. They start making out… when fake-wife Jessamy appears! Uh oh. Jessamy, already feebleminded, flips out completely and reveals horrible scars from a torn dress… The handiwork of the “real” Gawain Maddox.

Father Ruskin helps Love and Wilkin to drug and calm down Jessamy while Wilkin goes off to help capture Gaveston. The nasty old “Knights of the Rosebud” capture both Ruskin (whom they know was with Annora) and little Luca Maddox!

… And so, the setup for next week.

Here are my big questions for this week:

  • Who is the “warrior” Annora was referring to… Wilkin or Ruskin? (I assume Wilkin)
  • For that matter, what was the significance of baby Wilkin?
  • Who, or what, is the episode’s “Broken Thing”? The tortured twin certainly broke — she gave up the location of her brother; but my bet is on Jessamy.
  • LOVE
    MIKE

    * “Suspicion is fear without truth” -Love (great definition IMO)

[For Scream Queens‘ “Beware of Young Girls” or any other recaps on Fetchland, assume the presence of possible spoilers.]

FOX Summary:
Beware of Young Girls The Kappas use a Ouija board in hopes of communicating with Chanel No. 2 and identifying the killer.

Scream Queens episode seven opens on Chanel No.2’s funeral with a bubble gum pink casket, a ferocious Chanel No. 1 and all the beautiful sadness a silly satire can muster. In order to quell the flummoxed Chanel no. 1, the Chanels decide to contact Number 2 so she can say she’s sorry and quiet the shrieks of No. 1. They play Ouija board and it totally tells them so many things they can hardly believe it. The board spills the beans on all kinds of dirt especially about Chad cheating on Chanel No. 1 even now after he promised to be monogamous.

In the next scene Gigi yells at someone on the phone that “We’re murderers! We’re vengeful killers not just kidnappers.” Then Wes comes home to her and she has to get off the phone… so it wasn’t him on the phone. In other words, he’s not the killer. Then we see Grace shopping with Gigi to help her pick out clothes so she’ll no longer dress like a member of the Beverly Hills 90210 cast. Grace’s real goal, though is to get intel on her Dad from his current girlfriend. She fails on that count, seeing as how Gigi lack the sanity to have any insight into Wes, but does get other info.

During their talk Gigi drops hints about a previous student, Feather, who clearly has a vendetta against Dean Munsch. Feather McCarthy, played by the incomparable pixie, Tavi Gevinson dressed like a member of Wharhol’s factory. She had an affair with Dean Munsch’s husband when he was her Beatles professor at the university. They fell in love, so he left the Dean for Feather and they got married. The Dean didn’t take it well. She started dressing just like Feather and stalked her until she eventually got kicked out of school and had to finish her education online. Someone even tried to kill Feather in the bathtub during this time with a transistor radio, just like how the Dean before Munsch was murdered… interesting. After Feather tells Grace and Puppydog Pete this story she returns home to find her husband decapitated – head aglow in her fish tank.

Meanwhile Chanel No. 1 confronts Chad about the Ouija board revelations, who happens to be wearing a baby blue silk robe. He says he does have a confession but it’s not that he’s cheating, it’s that he’s lactose intolerant and rubs his goat’s belly regularly to get some lactose-free high protein refreshment. The ghost obviously mistook his goat for some girl action. Then Detective Chisolm accuses the Dean of killing her ex husband at the very least and maybe even the Red Devil killer too. He says, “Like um, I’m sorry but uh, like you’re like kinda under arrest. Seriously.” They take her off to a mental hospital for the criminally insane in a straight jacket. In the next scene Grace and Pete smooch when she gets a call from Dean Munsch saying Grace has to come see her at the insane asylum. So, she brings her puppy Pete along and visits Munsch the next morning. The Dean seems content at the asylum, sketching in crayon and claiming it was Feather who killed her ex husband and maybe all the other killings too. Dean says you can’t trust a girl like Feather who has a full bush between her legs. She’s obviously hiding something… During the conversation the Dean rejects an asylum sandwich because she’s allergic to the sulfites in deli meats.

Then Grace and Pete look at the evidence file from Detective Chisolm and there was a bologna sandwich at the crime scene of her ex husband’s death, obviously consumed by the killer. They surmise that therefore she can’t have been the killer. Then we’re back to a new Ouija conversation between the Chanels and No. 2. They ask a bunch of questions that only a real ghost would know, like how many tampons are in Hester’s purse – 9, and what cereal No 3 choked on as a kid – Kix. Then they ask who’s killing everybody and ghost of Chanel No. 2 says No. 1 is the killer. This scares all the other Chanels and they run away from a fuming No. 1. They attempt to plan her death but their ideas are far too dim to ever succeed. Nevertheless, they vow to keep trying and murder her that very night.

Chanel No. 2 shows up at the end of sleeping Chanel No. 1’s bed to apologize – visiting from hell. Turns out the other hellions told her the only way she could get to heaven would be to make things right with Chanel No. 1. So, here she is, apologizing. No. 1 accepts her apology and then No 2. tells her the other Chanels are coming to murder her but she needs to be the bigger person – be a leader. Chanel wakes up then, it was all a dream. Or was it?

Grace and Pete then go to Feather’s place and take her toothbrush so the detectives can compare the DNA to the half eaten sandwich found at her husband’s murder scene. It’s a match! She’s the killer! Chisolm says that they don’t exactly have a motive for Feather to have done all the other killings on campus but they’re certainly working on it. They lock away that little pixie and throw away the key. Then Grace confronts Dean Munsch about the connection between Feather and all these other killings and asks her what happened to that baby from the Kappa bathtub murder. Munsch says she’ll tell Grace as soon as she comes to the Dean’s office for an official talk. She’s extraordinarily adept at stalling, that Dean.

Chanel No. 1 then confronts the Chanels about how they’re planning to kill her. She says kinda gets it though and she’s willing to let bygones be whatever and hands out gifts – Nancy Drew pink hats and giant magnifying glasses. They’re going to team up and find the real killers dressed as the cutest detectives this campus has ever seen. There’s no way Feather could have done all this murderous campus wreckage on her own and she’s obviously being framed. “Do I make myself clear, you whores?” she asks. They all nod their perfectly docile heads.

In the final scene Dean Munsch twirls to the song “Beware of Young Girls” drinks a glass of red wine and prances around to her voiceover. In her narrative the Dean admits to killing her husband and framing Feather, a plan she plotted for years. Here’s to young girls getting what they had coming to them. Then Zayday and Grace come home late at night under the watchful glare of the carefully coiffed Chanels above, four vengeful vultures.

Best thing about this episode is that it brings back the delightful sparkling glittery delight of Chanel No.2 but, unfortunately, she is still dead. On the other hand, the prospect of our killers being Chanel No. 1 and Chad remains a good possibility after the events of this episode. So, we’re sticking with them as out team of killers for now. The gorgeous pair are perfectly cast in those killer roles.

Katherine Recap

[For Fargo “Fear and Trembling” or any other recaps on Fetchland, assume the presence of possible spoilers.]

FX Summary:
Fear and Trembling Floyd responds to Kansas City’s proposal; Hanzee takes a road trip; Lou has a realization.

Yet another Fargo episode title makes an intellectual reference. But you don’t have to understand or even have read Kierkegaard to feel the impact of the “Fear and Trembling” theme. Kierkegaard’s work of the same title speaks about two kinds of people, one who hopes for happiness from something “out there” while the other finds happiness from something inside. Specifically Kierkegaard refers to those who focus on hope for the future and those who revel in memory of things past. This episode literally teams with examples of these very people working in opposition – even if one may be trying to help the other. These characters can’t work in concert because such binary perspectives are a recipe for conflict.

The beginning brings us back to Fargo 1951 when Otto Gerhardt takes his son, Dodd to the movies and tells him not to make a sound. Otto’s there for a business meeting with a guy who says it’s “all about being king” but Otto says he just wants “a place at the table.” Nobody speaks the truth in this scene, it seems. Just as the king-focused guy’s about to take Otto out with a bullet to the head, little boy Dodd stabs him in the back of the neck in a sly move from behind and frees up his father to shoot all the guy’s minions. Dodd was a good boy. He didn’t make a sound.

Then we’re back to Fargo 1979 and Dodd takes Bear’s son out for some shooting practice then brings him along for an attack on some Kansas City thugs at a local bakery. Dodd tazes a guy to the ground while Bear’s son punches the other guy out. Next Floyd meets with Kansas City’s Joe Bulo, the fantastically repugnant Brad Garret. She puts forth a counter offer – partnership between them with the Gerhardt’s paying a million and splitting territory with KC. She tells him not to underestimate her just because she’s a woman. But Joe does anyway and he’s got a point, not because she’s a woman but because Floyd is mother to her minions. He confronts her on Dodd’s assault of his men that very morning at the bakery. Can she really control her family? Joe says if one of his men defies him he can take their arm off but she’s dealing with her kids and won’t do that. This is the crucial difference between them. So, it’s not an equal partnership – see? Floyd says Dodd will fall in line and Joe says no. We’re officially in deadlock city. She’s locked in a memory of a “peaceful” Gerhardt family business and Joe’s got his hopeful eyes on the prize of owning them.

Next we’re in a hotel room where men in turtleneck sweaters and white suits play cards. They’re guarding the suite where Mike Milligan sleeps with Dodd’s daughter, Simone and she snorts coke off his shoulder. Free of blue eyeshadow now, Simone is gorgeous with luxurious Farrah Fawcett hair and a calculated ease in discussing her family’s business matters with Mike. She tells him where he can find the (barely alive) Otto and advises Mike that he’ll have to kill her father, Dodd.

Because Otto’s not actually dead but just in a post-stroke, non-verbal and paralyzed state, the family takes him to the doctor and when he’s in the parking lot Mike Milligan and the Kitchen Brothers kill his bodyguards and minions then greet him, vulnerable and alone in his wheelchair, saying, “Joe Bulo says ‘hi’.” Joe gets news of this while still at the sitdown with Floyd. He then rejects Floyd’s counter offer and says anything but unconditional surrender from her and Kansas City will wipe the earth of Gerhardts. So, it’s war.

Meanwhile Hanzee’s out on the road looking for Rye and goes to the Waffle Hut. He surveys the scene and checks the tire tracks outside, picking up a piece of broken glass there that seems to spur on a vision of something in the sky. It’s as if he remembers when Rye saw the UFOs. Next Hanzee goes to an auto repair shop and finds Peggy’s car, noting that the piece of glass from the Waffle Hut tire tracks fits perfectly into a space on her headlight. Ignoring the warning of dufus mechanic, Sonny, Hanzee checks the inside of the car and finds a bloodstain on the seat. Then Sonny the dufus breaks his own rule about customer privacy and tells Hanzee the owner of the car is a butcher. Hanzee’s about to show his gratitude for the info by knifing the dufus when Karl, played by Nick Offerman, comes out of the bathroom and averts the crisis with strong words and showing his gun. So, Hanzee turns to leave on his calm and measured heels then drives away. Next he’s at Ed and Peggy’s house where he finds Rye’s ashy belt buckle in the fireplace and takes it for safekeeping. He then sees Lou drive up and exits from the back of the house while Lou takes a seat on the front porch to wait for Peggy and Ed to get home.

Betsy and Lou go to the oncologist where they get the news that her cancer is spreading but they can put her on a clinical trial drug called Xanadu… or a placebo. That’s the most hope the doc can offer. Should he sign her up? In the parking lot later Lou asks if he should treat Betsy any different and she says “Please don’t.” She’s on the trial now. After that conversation Lou heads over to meet Hank at the body shop where Hanzee had just left after encountering Peggy’s car and the dufus Sonny. Hank tells Lou the alleged report of how the car got damaged – the story Ed and Peggy told. But it’s not particularly believable to Lou who also has a flashback to his visit with Ed on the night when he nearly saw Rye’s chopped fingers on the floor of the butcher shop. Lou’s getting warmer and it’s clear in this scene that his intuition is similar to the visions Hanzee has. They’re playing the yin and yang of this investigation – powerful insight swells in their opposition.

Meanwhile Peggy’s secretly on the pill while Ed dreams aloud about all the babies they’re making together. Ed’s caught up in his delusions about babies and owning the butcher shop, neither of which Peggy cares about. In the next scene Ed’s boss at the butcher shop says his check for the down payment on the shop bounced and there’s another interested buyer. If Ed doesn’t pay he loses the shop for certain. It turns out the check bounced because Peggy paid for that seminar even though Ed told her not to. He confronts her and Peggy apologizes but also says her seminar for self-actualization matters more to her than owning the butcher shop. Ed tells her she’s gotta get the money back. Peggy goes back in the salon and tells her boss but just gets a self help lecture series and it’s clear she won’t get that money back.

Peggy and Ed see Lou waiting on their porch as they pull into their driveway that evening. At Lou’s suggestion they invite him inside then reiterate to him the made up story about hitting a tree. Lou makes it clear he knows they’re lying and tells them to be straight with him so he can help them. He tells them a war story, how when it’s obvious a buddy who’s just been shot is going to die everybody tells him he’s going to be OK. It’s what you do, you give the dying man hope so he can bear those last few minutes of life with dignity. He tells them they’re like those dying soldiers right now. They don’t even know it but they have no chance to redeem themselves if they continue to lie. But Lou can help them if they tell him the truth now. Peggy and Ed dig in their heels and ask him to leave, fools that they are…

On the ride back from the Kansas City sitdown Dodd has his head on Floyd’s shoulder and it’s a sad, operatic scene. Then Floyd’s curled up with comatose Otto on their marital bed before she has to give the news to the family of their next move. “It’s war,” is all she says. Next we see Betsy staring at her trial drug pill bottle before joining Lou in the backyard. He says he thinks she got the real pill and not just the placebo. But the world’s out of balance now, Lou ponders and trails off. People used to know right from wrong but now it’s all off center. Betsy goes in to bed and Lou continues to practice tying knots in the dark cold night of their yard. He’d hoped to inspire her much the same way he’d hoped to with Peggy and Ed but it’s clear he’s failed both times. Neither Peggy and Ed nor Betsy have any hope because they’re so caught up in their interior worlds that they remain locked in a lonely void. Who could possibly understand them? So, the one man who really could understand them, beautiful-patient-insightful Lou, sits, quiet and alone, to tie his knots, a symbol of Lou himself… on the inside.

–Katherine Recap

The Top 8 – Week One

Posted by Michael Flores | Sports

NBA season is upon us!

“The Top 8” is going to be a weekly column focusing on the trials and tribulations of my beloved Cleveland Cavaliers… Stats-based but still super biased (probably)

Here goes!

Game One: Cavs at Bulls 10/27/15

ESPN Headline: Pau Gasol stuffs LeBron James’ would-be tying layup as Bulls hold off Cavs

There are lots of despicable cliches in sports narrative reporting. High — if not chief — among them is the concept that crunch time shot attempts are somehow worth more points than those in the first forty-odd minutes of a game.

The headline accompanying the opening game of the 2015-2016 Cavs season is a good example of this.

Gasol, in thirty-two minutes of play, had a mediocre game at best. Two points on seven shots (barf); and only two rebounds (!!!) starting at Center. He did, however, record six blocked shots, and the one on LBJ at the buzzer did make for good dramatic narrative.

Outcome: Bulls by 2

It’s tough to dissect what happened in this game. The Cavs actually put up more shots (94 to 87) and neither team shot the lights out or anyting (though the Bulls did put up 42% to the Cavaliers’ 40%). Moreover the Cavs outrebounded the Bulls while the Bulls gave up more turnovers. Decided by only two points, it looks as if this was the rare, mythical, game actually decided on the free throw line: The Bulls shot 16-23 from the charity stripe while Cleveland only 10-17. And sure, it was a two-point game!

BUT!

I think if the Cavs simply calmed down and shot their season average from 2014-2015 (five clicks up from last Tuesday night) they would have handled the Bulls; that, and committed fewer fouls. Both of these things, for an elite squad coming off of so many injuries and having played so few minutes together, are just artifacts of it being the first game.

Despite the outcome (two-point loss) there were a lot of nice things to take away. Besides those two percentage points on goal there was almost nothing the Bulls did better than the Cavs.

The Top 8

gameone

Unsurprisingly the best player in the game had the best game (even if he was stuffed by Gasol for the ESPN headline). Even if conceding his starting spot to Nikola Mirotic wasn’t the more storied Noah’s idea, Noah and Mirotic were both effective producers. What was more surprising to me was how good Mo Williams was in his Cavs return! Nineteen points on fifteen shots, four rebounds, seven assists, and only one turnover with starter’s minutes! If Mo plays like this consistently he’ll be back on the All-Star team!

I didn’t register how well Tristan Thompson played just watching the game (which I guess is easy to miss considering he was 1-4 from the field) but if TT keeps putting up double-digit rebounds off the bench the Cavs are going to be borderline unstoppable (and his giant contract will be more-or-less justified).

And honestly? I thought he Cavs would be rusty enough with TT having sat out all of the preseason and half the starters still injured that they would have lost by twelve. Merely two was like winning by ten 🙂

Game Two: Cavs at Grizzlies 10/28/15

ESPN Headline: Love leads Cavaliers past Grizzlies 106-76

Simple. In this case accurate. The Cavs starting PF played nearly as well as the best two Grizzlies in this game. The storied Memphis defense was eviscerated on Wednesday night… Which pretty much had to be the case with LeBron James nowhere near his usual form… As his team won by thirty points.

Outcome: Cavs by 30!!!

Obviously this was a super encouraging game, with the Cavs demolishing one of the better teams in the league by huge margins on a back-to-back (with LBJ on “mortal” mode). Nuff said.

The Top 8

gametwo

Game Three: Heat at Cavaliers 10/30/15

ESPN Headline: LeBron James (29 points), Kevin Love (24) help Cavs topple Heat

The main thing wrong with this headline is that Kevin Love’s name should have come first!

Outcome: Cavs by 10

The Top 8

gamethree

This game was way less close than even the ten-point drubbing would imply. Cleveland was up by 18 — eighteen — with a minute to go and the third string managed to give Goran Dragic almost his entire night’s production in circa the final one hundred seconds.

The Cavs starting guards — Mo and Smith — were atrocious, combining for 8 points on 18 shots; Jefferson was no better (five points on seven shots)… but the frontcourt was absolute music. If Kevin Love can continue play as well as he has for the first three games of the season LeBron’s prediction will come true and Kev will be back in the All-Star game. LeBron played a workmanlike great game while Dellavedova aped CP3, lobbing an unending string of alley oop assists to Tristan Thompson.

The Heat stars played well too, actually; Miami just got very little production from their bench.

Speaking of which: Hassan Whiteside is the truth! He is very clearly one of the best players in the NBA, racking up SIX (!!!!!!) blocks in this game. Amazing! What is even more amazing is that as good as he was, Whiteside was outplayed by two different Cavaliers PF/Cs. I’ll take it!

I know the first week was just three games, but like I said already: They were super encouraging. Kevin Love and Tristan Thompson are both playing like All-Stars. The fact that LeBron was not the best Cavalier in either win means that maybe he will be able to rest more during the regular season. I would love Love LOVE to see a team configuration where LeBron takes a backseat during most of the regular season and lets the younger guys get us to 60+ regular season wins and just shows up to claim his Finals MVP.

I am a little concerned about the Cavs guard play, though. Mo was excellent in the Chicago game; J.R. was good in the Memphis game, but neither starter has strung together even two above average games. Hopefully both sharpshooters can get back into the three-point form that earned them All-Star and Sixth Man of the Year awards in past years.

LOVE
MIKE

The Top 8 is produced via Simple Models of Player Performance + Box Score data from ESPN.com

[For The Leftovers‘ “No Room at the Inn” or any other recaps on Fetchland, assume the presence of possible spoilers.]

HBO Summary:
No Room at the Inn Reverend Matt Jamison takes his wife outside Miracle to seek answers about her condition.

The Reverend Matt has constructed his very own version of Groundhog Day which we get to see play out for the first fifteen minutes of episode 5 – locked in the spectre of his persistent frustration. He’s replaying everything precisely as it happened on the day his wife Mary woke out of her coma. Matt hopes that a variable; the song playing on the radio, the burrito he microwaved for lunch, etc. will bring that day back and she’ll wake up again. Then he drives her out of Miracle for biannual medical tests to check on her condition. While there Matt finds out she’s pregnant – essentially a miracle because they’d tried and couldn’t have children before her comatose state. The administrator who tells Matt about her condition doesn’t believe him when he says she got pregnant the one night she came out of her vegetative state.

He mentions “consent” to remind Matt that she couldn’t have given consent for the sex anymore than she can give consent for medical tests. The administrator also explains that she’s got a 90% chance of miscarrying. But Matt’s too busy being happy about the pregnancy to care. He’s blissful and believes this must have been the reason for her awakening that night – it was the one time she could get pregnant. This is a man who lives with “meant to be” and “everything happens for a reason” faith to the max. A man of God, that Matt.

On the way back to Miracle he stops to help a broken down car at the roadside but it’s a conman who takes their wristbands and knocks Matt out in the process. He wakes out of unconsciousness as Mary “tells him” their baby boy won’t survive unless he gets them back into Miracle pronto. So, Matt pulls the wheelchair out of the back and wheels her toward town, abandoning the car. When he finally reaches Miracle a guard directs Matt to the Visitor Center where he attacks a man who pesters him in line. The guards then put Matt in a holding area where he’s kept until Kevin and his new neighbor buddy John Murphy come to collect him. John asks how Mary is doing, given that Matt had taken her out for tests.

Matt says there was no change in her condition but then John confronts him about her pregnancy – he’s got the test results in his hand, apparently they “fell out of” Mary’s bag. Then John relays Matt’s story of how Mary awakened and they “made love” and that’s what got her pregnant – right? John says Matt tells this story because the miracle within the town of Miracle is the only tale to explain her pregnancy where Matt isn’t a rapist – given her condition. It’s the only story he can tell. Except there are no miracles in Miracle, John insists. He says Matt’s going to have to change his story and say he was just very sad, lonely and confused and that he’s sorry. John makes Matt agree to this and even has him say, “She never woke up.” As John’s about to take the docile Matt out and get him new wristbands Matt asks him why he’s so angry at this place. It goes beyond his daughter being missing. What happened to him? John doesn’t answer and instead says he can’t get Matt those wristbands after all. John leaves in a huff. Kevin’s like WTF, Matt? So, then Matt asks Kevin how much money he has. He’s going to need it to get back into Miracle, Matt explains and takes $500 from the flummoxed Kevin before leaving him to return to the campground.

Matt wheels Mary into camp and promises her he’s going to get her back in. Then he locates a guy who says he can help him get into Miracle for $1000. On a mission to get the rest of the money, Matt walks around the campground. He sees a naked man in a pillory like they used to have in town squares during the 1800s. A woman asks if he wants to free the prisoner and he says yes. She tells him the only way to free the man is to take his place. Then Matt sees a big wooden cross. He tells the owner of the cross, Sandy, his sad story and begs for her help. Matt tells her he needs $500 and she tests him to determine if he really is a “man of God.” Matt easily passes her test so then Sandy brings a guy out of her trailer and tells Matt he’s got to hit this guy with a wooden oar and say, “Brian,” then he’ll get his money. He’s got to hit him as hard as he can, like he means it. Matt hits but not that hard and she says he’s holding back. A mob collects and everyone, even the guy he’s hitting, yells that Matt’s got to hit harder and say, “Brian,” so he finally whacks the guy with all his might and screams “BRIAN!” The oar breaks. Matt gets the money and the guy with the way back to Miracle brings him to a large tunnel made of a corrugated metal pipe.

It starts raining and Matt wheels Mary through the tunnel until the wheelchair gets stuck and he can’t dislodge it. Then Matt screams and they both fly back to camp on a giant gush of water. Now Mary has no wheelchair and Matt’s back at the campground carrying his comatose wife – both of them soaking wet. Suddenly we hear Nora calling for him. She’s there with Kevin to save them. He climbs into the trunk of Nora’s car with Mary so they won’t be seen and can drive safely across the bridge to Miracle. In the reddish glow of the inner trunk Matt quotes Yeats to Mary as if we needed further evidence that he’s the best and most perfect husband on the planet. Then the trunk opens and Nora says there was an accident. They all try to help but the driver was killed and it turns out to be the conman that stole Matt’s wristband. The conman’s son hides nearby in a patch of bushes and, when he’s discovered, hands Matt back his wristband. Mary’s got the one from the dead conman on her wrist now. But then Matt shifts gears completely. He asks Nora if she’ll look out for Mary awhile. Matt says, “I shouldn’t have to hide.” Nora, who already has a baby and teenager, isn’t thrilled about taking on a vegetative sister-in-law.

John Murphy then stops his truck driving home in the dark night because Matt stands blocking the middle of the street. Matt, holding the conman son’s hand, tells John he’s not going to lie about what happened with Mary and he doesn’t want John’s wristband. He holds up the one the little boy gave him to John he’s already got a wristband. Matt says he’ll be back when Mary wakes up again, an inevitability. Then he passes the boy on to John and says, “This boy needs help. His father is dead.” Matt turns then and walks back to the camp. Once there, he says he wants to free the man from the pillory. The woman who handles these matters asks him why and he says, “It’s my turn,” so she puts him in there and the last shot of the episode shows Matt in the pillory.

The True Believer, Matt and His Horrible, No Good, Very Bad Day. is all about the stories we tell ourselves in order to find meaning in a world gone mad. On this front, Matt is the ultimate storyteller. He’s also a hardcore martyr, willing to do anything to prove his particular story is true. It’s clear he is 100% certain Mary woke up that night and it’s clear how much he loves her. This is a man with unrelenting integrity. But the episode never shows Mary actually waking up that night so it’s possible she didn’t. The question then becomes, does it matter? “No Room at the Inn” builds a frame around this idea. Everyone in it has a powerful story they’re playing out with hope of somehow “saving themselves.” At the camp there’s Sandy’s Brian with the oar breaking across his back and on the roadside there’s the conman with his son. Does it matter that these characters actually don’t accomplish anything? What about Matt? Is he better off in the pillory than taking care of Mary at this point? He certainly believes so. Fact is, these characters all believe in the power of their particular story and that experience is everything to them. In the world of The Leftovers the actual facts of the matter often take a backseat and, to his chagrin, there’s not a whole lot John Murphy can do about that.

–Katherine Recap