Lots of Fetchland readers already subscribe to services like Netflix, Amazon Prime, Hulu Plus, or even Marvel Unlimited.

… Which begs the question: When you have access to an almost limitless plethora of entertainment options, which ones should you pick?

“What’s Free Wednesday” is a weekly Fetchland feature spotlighting something great to read or watch available on one or more entertainment services. “Free” once you’ve paid for it, if you grok 😉

Chef

Free on:

  • Amazon Prime
  • Netflix

Sometimes you just want to see a feelgood movie that’s smart and captivating… but still actually entertaining. Chef hits all these targets! By virtue of its title you’d think Chef might appeal mainly to foodies but it’s for everyone. It’s not deep in the gourmand realm like Babette’s Feast or Big Night but there’s still plenty of food porn for the eater in all of us.

Jon Favreau goes back to his indie roots with this one, writing, directing and starring – like a boss. Chef feels small but combines several movie genres with ease including: feelgood comedy, road movie, and even upstart-becomes-underdog a-la Jerry Maguire. The charismatic amalgam of stars like Sofia Vergara, Bobby Cannavale, Scarlett Johannson, and John Leguizamo add spice to this already delicious story.

Appropriately titled, this is truly the tale of a chef; Jon Favreau’s character, Carl, is happiest in the kitchen. He loves what he does especially when there’s nobody telling him what to cook. Unfortunately, he works for an old school restaurateur who keeps the menu on ice – as in back to the ice age. Carl’s got dreams about serving pork belly, figuring out Twitter, and winning over the food critic who’s soured on him over the years – Oliver Platt. He’s also got a ten year old son he’s been semi-ignoring over the years who ends up Carl’s social media angel as the story rolls deep into the Interwebs.

Though generally a realistic story anyway, the tipping point scenes in Chef are welcome doses of uber reality. The first is when Carl completely loses it screaming at the reviewer while oblivious to a multitude of cell phones recording the spectacle. This is the scene where Carl wakes from his upstart slumber and realizes he’s being held back creatively by working for the man – in this case Dustin Hoffman in the tiniest role imaginable. That’s it for Carl! He straps on his rocket propulsion boots ready to change his whole life, bootstraps and all. Another great awakening happens soon after when Carl and his son clean their future food truck of the hardened filth crust from its former inhabitants. Suddenly we see how the kitchen work ethic can translate to parenting lessons that last a lifetime when he later explains to his son that he earned his chef’s knife and nobody can ever take it away.

Chef takes off a fabulous foray from this point on, crossing the southern states in a food truck named El Jefe. Carl and son sell scrumptious cuban sandwiches from El Jefe arousing a litany of tweets with each sale. Carl’s sandwiches gain social media momentum thanks to the savvy of his son who’s also surreptitiously making vines of all their artisanal escapades. He’s only ten, officially their marketing guru, traveling cross country, and bonding with Dad like a bro – it’s a tween dream. Along the way the El Jefe food truck establishes such a following that by the time they reach their final destination, LA, the town’s rolling out those Hollywood red carpets for them.

The characters are the most refreshing aspect of Chef and not just because they’re captivating in their respective roles. There’s been a trend lately in movies where tons of characters are just nasty for little reason related to story and it gets old pretty fast for those of us still clinging to Anne Frank’s winsome words about people really being good inside. The antidote for this loathsome practice lies in Chef where the people are hilariously funny without being mean; in fact they’re especially awesome. Carl happens to be blessed with the coolest most beautiful ex wife in the world, the sexiest girlfriend, and the world’s friendliest and true blue coworkers. It’s packed with good eggs and that makes it all the more fun to go along the ride with Carl.

The exuberant soundtrack also gives this flick a delightful boost – an effervescent mix of cultures that perfectly augments the colorful food and feelings onscreen. The scenes where Carl cooks and all we hear is the pan sizzle and music are some of the most delightful screen moments thanks to these carefully selected songs. A fantastic date night movie, there’s a big bow on top of Chef at the end, so if you like your conclusions tied up in the neatest, most perfect packages – you know what to watch next on Netflix or Amazon Prime.

–Katherine Recap

Let the Right One In

Lots of Fetchland readers already subscribe to services like Netflix, Amazon Prime, Hulu Plus, or even Marvel Unlimited.

… Which begs the question: When you have access to an almost limitless plethora of entertainment options, which ones should you pick?

“What’s Free Wednesday” is a weekly Fetchland feature spotlighting something great to read or watch available on one or more entertainment services. “Free” once you’ve paid for it, if you grok 😉

Let The Right One In

Free on:

  • Amazon Prime
  • Netflix

When you try to convince someone they should see some movies the biggest initial hurdle can sometimes be that irksome question – What’s it about? This is especially the case with the Swedish stunner Let the Right One In. Especially given the past few years of Hollywood and primetime TV’s obsession with all things sexy vampire, it works against this spectacular movie that it just happens to have a vampire at the center. Still, this one’s definitely not sexy and the movie’s not even really about vampires either. It’s about loneliness. Don’t you want to see it now? Seriously though, it’s a gorgeous film with brilliant storytelling and true resonance. This one stays with you. The story gets deep into the heart of early adolescence with its marrow crushing isolation and longing for love. It’s not romantic love here, though, and that’s part of what makes the story so special.

The main characters, Oskar and Eli, are the loneliest twelve year olds in the world. Oskar is the preteen king of bad haircuts and Eli lives in the apartment next door, a pale misanthrope of indeterminate gender. They share qualities of outward fragility and resolute inner strength. We see this in Oskar early on when he knives a tree over and over echoing the tauntings of his bullies. Soon after Oskar and Eli meet for the first time and we’re thrust into their puzzle-piece perfect connection.

It’s Sweden, a bleak but beautiful universe of snow, serial killing, and subtitles. The mystery here isn’t about what happened or whodunit, you find all that out right away. But still, this is a movie filled with mystery. One of the main questions arises from knowing who the killers are but wondering about the curious methodology of the human on human murders. In fact, the biggest question arises out of this human element. Why the vampire does what they do is obvious, after all. But what’s up with this weird ass human? He just gets more bizarre as the story unfolds.

Although gorgeous, Let the Right One In can also seem gruesome at many turns. It doesn’t scare, necessarily, because there’s a matter of fact quality to the storytelling. In fact, an omnipresent pre teen realism will certainly arouse audience cringes throughout and there’s a feeling that this is all really happening which manages to somehow disturb and console all at once, perhaps because it’s so utterly engaging. One of the cool details in the movie is the oddness of the adult characters. They talk and behave in a stilted way that brings you right back to the awkward years when adults were aliens saying things like, “Thanks for yet another evening steeped in friendship and merriment,” before hugging goodbye.

If you love a fulfilling ending that reveals mysterious origins like the unwrapping of a glorious gift, this movie satisfies. It has one of those perfect conclusions – inevitable and yet completely unexpected that keep a film in your mind’s eye even after the credits roll. You do have to really watch this one, though. It’s not a good movie for doing laundry or finishing paperwork. There are subtitles and a lot happens in the silence. So when you’re ready for an intense, riveting, and kinda creepy movie experience on Netflix, this one’s for you.

–Katherine Recap